Tag: brigantia

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August 2021

Howdy, folks!

Bit of a digression to start this month’s newsletter off – bear with me…

The Usual

At the start of this month, I finally polished off the last game in the Mass Effect Trilogy – I’ve been re-playing them thanks to the “Legendary Edition” that they released, and in typical perfectionist fashion, wanted to platinum trophy each game before completing them. Anyway, the ending of Mass Effect 3 got me thinking about story and our expectations of it, and I wanted to waffle a bit!

Despite having completed the series when it first came out, I found myself genuinely torn on which of the various endings to go for – without wishing to spoil it for anyone, the very end of Mass Effect 3 presents you with a choice of three endings (assuming you’ve done the legwork/sidequests/etc to gather allies and support throughout the game). Each has pros and cons, and crucially, there isn’t a perfect ending – with previous choices in the series, it’s often clear what the “best” course of action is and it’s usually the “good”/paragon option. However, the ending is far less clear-cut – you can choose the option you’ve been gearing up for the entire game and accept collateral damage (both literally and emotionally, short and long term), or the option that one of the game’s bad guys has been rooting for throughout (which, again, has risks and downsides). Lastly, there’s a “middle” option which seeks to step outside the binary choices presented previously but has it’s own ethical and moral challenges. [sidenote: the game’s original ending got a lot of blowback, and the developers tweaked it in a later DLC so that it factored in more of your choices throughout the series. I delayed finishing it for ages so I never saw the original ending!]

Reading up on the various endings to help me make a decision, I was struck by how many other players insisted on the first ending purely because doing so can ensure the survival of your main character, Commander Shepard. The Mass Effect Trilogy does a fantastic job of getting you invested in your Shepard – you choose from a set of origins/backstories rather than writing your own, but there are so many choices throughout the three games that you really connect with the journey your Shepard has taken. It makes sense that people would want Shepard to survive against all odds, and have a happy ending with his romantic partner (my one and only Liara, of course 💙)

However, every time I’ve played the series, I’ve accepted that Shepard needs to die in the fulfilment of his duty. It’s the only choice that makes sense – much as I might want him to live, I knew that he was going to sacrifice himself because that’s the only thing he could do. The whole series (at least the way I’ve always played it) is about hope and unity, about a diverse group of civilisations rising up as one against an overwhelming foe – burying old hatreds, sacrificing everything for survival. Choosing the path that keeps Shepard alive always felt selfish, and completely out of touch with his character. It’s fascinating to me that so many others didn’t feel the same, and prioritised keeping Shepard alive over the many short and long-term consequences of that choice. If we put so much of ourselves (our time, our morality) into a character it becomes very hard to let them go, even if it’s the right thing to do – for the story and for that character. Sometimes (well, most of the time) there is no such thing as a truly happy ending, and while I agonised over which to go for, I appreciated the agonising for making me really think about my character, his journey and what choice he would make in that moment.

(if anyone’s wondering: I wimped out and chose the third option – the same ending that I chose the first time I played the series 😅)

The Record

Pretty light workload this month – only a couple of pages scripted. That said, it feels busier because I’ve been looking over pencilled/inked pages by Harriet for the next issue of Brigantia and layouts by Rosie Packwood for our anthology story together – I’ve also done some more development work on Steel Knights (as well as started scripting it and reached out to an artist about concept designs, so we’ll see how that goes). Oh, and I’ve been putting together another anthology pitch which I need to tidy up..!

There’s definitely stuff on my to-do list which has taken a backseat to musical endeavours this month (I’ve got an album launch gig then a 6-night UK tour to prepare for with Ba’al, assuming the UK doesn’t collapse into another pit of COVID catastrophe which is entirely too likely right now), and another gig with Powerhouse which is different to our usual scene), but it feels like the plate-spinning is just about holding for now…

The Tunes

It’s pretty much all metal this month, in a variety of different flavours – but first, the wonderful rendition of Blue Fields from the FFXIV Shadowbringers OST which has been stuck in my head all month. Delightful exploring music! Next up is a new track from Wolverine, one of my favourite prog metal bands – I picked up their album Still without knowing anything about it or them years ago (at a HMV in scummy Stockport) and was blown away. This one introduces some new sounds and elements but maintains their penchant for catchy choruses. Next we’re into more experimental territory with Vektor, which I guess I would describe as progressive death/thrash with a sci-fi theme/concept? It slaps, anyway! After that, some more prog metal but this time of the instrumental variety – Mountain Caller are a UK band who I discovered this month and I immediately appreciated – look at the sick cover art! Visual style is v. important for your band! Following that we have Igorrr, who I’ve heard of before but never listened to – this track is one of the most schizophrenic things I’ve ever heard and yet, somehow, it all works. Masterful. Next up, worlds collide with a Chelsea Wolfe song about Wonder Woman – no, that isn’t a joke, she literally wrote it for the Dark Knights: Death Metal soundtrack! This avoids any gimmickry by virtue of Chelsea Wolfe being an absolutely singular musician/songwriter who refuses to compromise. Next, we’re into the anti-fash black metal backend of the playlist – first up is Awenden, who have a kind of Lord of the Rings/Summoning vibe (Sauron, as we all know, is famously fash scum) which is v. enjoyable. Next is Underdark, a local band from the UK scene who craft cavernous atmospheres of black metal chaos and align themselves proudly against the right – I saw them for the first time this month and it was a fantastic show. Svalbard are up next, mixing a hefty dose of hardcore punk in with the BM sound – big choruses, masterfully-controlled vocals and a staunch leftist outlook are their trademark, along with songs that tackle real-life issues like domestic abuse and alt-right online trolls. Finally, we’re closing out this month with a 10-minute plus epic from the latest Wolves in the Throne Room album, Primordial Arcana. This was one of my most anticipated releases this year (so much so that I splashed out for a fancy coloured vinyl of it) and it was worth the wait – it’s the most immediate and heavy they’ve ever sounded, but still evokes the cascading waterfalls and mist-drenched forests of their Pacific Northwest home.

The Links

It’s mostly a Gawain and the Green Knight-centric links section this month, because I’m still absolutely furious about not being able to watch it here on Plague Island, UK and this is how I’m coping:

THE WELSH HISTORY AND MYTHOLOGY BEHIND THE GREEN KNIGHT: https://nerdist.com/article/the-green-knight-david-lowery-welsh-mythology/

Finally, A Seat at the Round Table: https://www.elle.com/culture/movies-tv/a37385781/the-green-knight-representation-dev-patel/

(this is why representation matters, people!!)

And lastly, grab a hot (or cold, your choice) beverage and read this. Trust me – it starts off grim but you’ll feel better for it: https://futurecrunch.com/collapse-renewal/

That’s all for this month – thanks for reading, let’s stay safe and keep chugging along!

All the best,
Chris

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September 2021: Autumnal

Evening, folks!

It’s been an eventful month, but before I kick into my usual self-aggrandisement I want to talk about one of the best films I’ve ever seen, which just came out a week ago. That’s right, you guessed it – gather round, children, it’s time to talk about The Green Knight!

The Usual

On paper, I was already primed to love this film – it’s a modern retelling of my favourite and most familiar Arthurian myth by a director and studio renowned for their intense and beautiful visual sensibility, with a great and charismatic actor in the lead role. All the marketing and promotion pitched it as an intense (verging on horror at times) fantasy drama, and I was incredibly excited to see how they translated the poem for a modern audience. I took myself out to a v. fancy cinema in town last Friday night, grabbed a cider and settled in for the ride. Just over two hours later, I walked out absolutely gobsmacked (and determined to watch it again as soon as possible, which I did on Sunday evening at home – it’s also been dropped on Amazon Prime Video!)

Firstly: it’s undeniably, achingly beautiful. The costumes are gorgeous, the landscape Gawain traverses on his quest is wild and untamed and full of fantastical elements (whale skeletons in the side of a valley, clusters of stone ruins that suggest a rich and violent history, towering giants) and there are so many beautiful shot choices throughout. The cinematography is utterly phenomenal! I was particularly struck by how the landscape itself feeds into one of the central messages of the film (the pervasive power and lasting strength of nature – the green – and how it symbolises both life and death). Gawain’s realm is presented as overwhelming and hostile, with scattered enclaves of humanity stubbornly trying to carve out a place against nature. Beyond that, it felt like home – specifically, like the remoter areas of the Peak District and the Lake District (both vast natural parks not far from my home). I checked afterwards, and it was filmed in Ireland, which makes sense!

Secondly: it manages to be a fairly faithful retelling of the original story, while simultaneously introducing enough twists and turns that I wasn’t able to predict exactly what was going to happen. Beyond that, it gives Gawain much more complexity and internal conflict than I remember from the story (which, granted, I haven’t read in a little while) – he isn’t a purely noble, pious person, and his struggles along the journey feed into that. Dev Patel is mesmerising in the role (although if you want to see him being happy this may not be the movie for you!) and the supporting cast are fantastic. The Green Knight himself is an absolute triumph of practical filmmaking – he looks incredible, and I particularly loved the sounds of tree branches creaking and leaves rustling that accompanied his every move, to really hammer home his role as an avatar of nature. Oh, and the soundtrack is flawless (there’s one song midway through the film with a haunting vocal line that I haven’t been able to get out of my head).

I’ve been amused by the seemingly all-over-the-place response to it – made the mistake of looking at the comments on a 5-star Guardian review which were full of people calling it “boring” and saying they’d turned it off after 10 minutes, which..?! If you go in expecting a big fantasy action movie (like Excalibur, or that Guy Ritchie King Arthur movie), you’ll probably be disappointed. It was notable to me that none of the famous names (Arthur, Guinevere, Merlin, Excalibur, etc) are ever used – Gawain is the only Arthurian name that you hear, and that feels like a conscious choice to detach it from our mental image of the chivalric Knights of the Round Table and to rely on the story itself rather than our memory of the characters for dramatic weight. But if you want a slow burn, atmospheric movie that makes you think about the meaning of honour, about courage in times of hardship and about life, death and rebirth, I think you’ll really enjoy it.

The Record

Another light month when it comes to actual pages scripted, but I haven’t exactly been idle:
-Synopsis/pitch document assembled for an anthology pitch
-Started assembling a huge primer document for issues #4-#6 of Brigantia (including details on the characters/world/monsters/etc)
-Rejigged the #4-#6 synopsis in preparation for redrafting the issues
-Design work for Brigantia Vol. 1 – coming up with a pleasing visual style for all the extra content pages/foreword/etc.

I also spent some time this month assembling the booklet for SHOCKTOBER 2021 – if you’re not familiar with this, every year my partner and I put together a schedule of horror movies for October, one every day and sorted into different categories. We didn’t do it last year (because of the horrible living situation we were in) but we’re back with a vengeance this year, and I’m quite pleased with my design work on the booklet! Here it is if you want to check out the schedule and join in: https://drive.google.com/file/d/1iHp1GSVBW8hGC_97xE7WX0N006iUFsId/view?usp=sharing


I’ll be tweeting out when we’re starting each film, but life is very hectic so it won’t be a set time each day!

The Tunes

This month’s list is honestly all over the place, and I won’t apologise! We kick things off with (after about 20 listens) the indisputable best song off the new Wolves in the Throne Room album, Spirit of Lightning. Normalise mouth harp in black metal challenge! Couple of “flashback” songs next – I discovered Secrets of the Moon decades ago and this track still slaps. Next up are Amplifier who play fun psychedelic-sounding rock, and whose guitarist owns the biggest and most ridiculously bloated pedalboard I have ever seen. There’s a new Hail Spirit Noir record which leans more into synthy electronics (and theremin) than their previous releases – great melodies throughout! This Nils Frahm collaboration album is great, but I particularly enjoyed the rhythms of this track. Next is hands-down the best cover of Enter Sandman that has ever been done, by Rina Sawayama – I listened to the Ghost cover shortly before this one, and I’m sorry to all the Ghost fans out there, but this version blows it away! Another new discovery this month is Spiritbox, who I can best describe as “what if Taylor Swift did djent?” Great vocals and solid production. New Carcass! They’ve lost some of the immediacy of the earlier albums like Heartwork and Necroticism, but the refrain on this track is catchy as fuck. Hundred Year Old Man are a band from the UK local scene – their guitarist Owen tragically passed away recently, and leaves behind a phenomenal body of work. This song in particular, from their most recent EP, ebbs and flows beautifully. And lastly, to finish off the list – you’ll recall me mentioning the soundtrack to The Green Knight up above? Get this in your ears and prepare to be lost in the windswept, rain-soaked realm of Arthurian legend.

The Links

Look, if you needed any more proof that the nation of England is fully doomed, the rozzers have got you covered: https://www.theguardian.com/uk-news/2021/sep/27/rare-white-stag-killed-by-police-after-running-through-merseyside-streets

I just… I’m furious, because what a beautiful animal to suffer death at the hands of our disgustingly fascist police force. But I’m also darkly amused at the number of folklorists who must have shot a deadpan look at the camera when this news came out, ala Jim from the Office…

Sometimes it’s nice to be reminded of the brilliance of somebody who went far too soon: https://www.kerrang.com/features/jimi-hendrix-a-tribute-to-a-legend-50-years-after-his-death/

I make no secret of my opinion that Jimi Hendrix was an absolutely singular talent, and if we’re dishing out “best ever” awards he’s at the top of that list. It’s nice to know I’m not the only one still in awe of him!

That wraps up this (long edition) for the month! Thanks for reading, and as ever, take care of yourselves.

All the best,

Chris

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July 2021: What is Time?

Howdy, folks!

Somehow, 7 months have passed and we’re staring at the back end of 2021 – I don’t quite know how, but here we are, I guess!

The Usual

For once, I actually have something I want to cover in this space before I dive into the usual newsletter shenanigans. As many of you may be aware, this last week has been… somewhat fraught on UK Comics Twitter, but not for the usual artist vs. writer/other recurring discourse reasons. Basically, a storm kicked up around Thought Bubble (unquestionably my favourite convention) due to them inviting Frank Miller along as a guest for this year’s con – here’s a good summary of the chain of events: https://www.comicsbeat.com/thought-bubble-drops-frank-miller-in-wake-of-social-media-backlash/

I was surprised that Miller was announced as a guest in the first place – it’s hard to argue that he isn’t an important figure in comics history, but that’s the key word – history. His work hasn’t been relevant in years, and Holy Terror (released in 2011) scraped the absolute bottom of a horrifically racist barrel. It seemed like an odd choice, one that I suspect was driven by necessity (attempting to bring in a larger number of more mainstream/casual comics fans) after the impact of the pandemic, but it gave the impression that Thought Bubble value the past (Miller) over the future of comics (represented by Zainab Akhtar), an impression that is very much at odds with the brand they’ve built over the years.

I don’t think there was any deliberate malice in the decision to book Miller, but honestly, that doesn’t matter – if they weren’t aware of his retrograde, Islamophobic views then they should have done their research rather than glossing over them and it should have been immediately apparent that inviting him was a mistake when Zainab and others first raised their concerns. The fact that the CG crowd have latched onto this as an example of “cancel culture” and “woke SJWs” (yawn) is entirely predictable but that doesn’t stop it from being very distressing for those targeted by them. I’m disappointed in Thought Bubble, and it’s absolutely going to overshadow this year’s event, so I sincerely hope they can take concrete steps to make up for this over the next few months (but that said, Chuck Palahniuk who has a lot of dodgy right-wing associations is currently still on the guest list, so…)

In less distressing news, the Kickstarter for Brigantia Vol. 1 closed earlier this month and we somehow raised a staggering £5k! It’s the highest number of backers I’ve ever personally had for a Kickstarter campaign, and the second-highest total funding amount, so I was bowled over by the outpouring of support. Now we get to the fun part – actually making the dang thing!

The Record

• Finished off the last few pages of my Big Hype Vol. 2 short (CRYSTAL DESERT BLUES) with Rosie Packwood
• 3 pages of STEEL KNIGHTS scripted, tons of worldbuilding done

Wrote some actual pages this month! It’s a lot easier when you force yourself to think of them as first drafts where the dialogue/etc will be tightened up later – my biggest challenge is that I’m a perfectionist, so I hate the idea of leaving a page half-done and moving onto the next one. The dialogue has to at least feel right – I struggle to just slap in a [placeholder dialogue] and move on.

Anyway, Rosie’s been hard at work on character concepts for our Big Hype story and they’re shaping up nicely – it’s a fun one where I think the influences are pretty visible on it’s sleeve, so it’ll be nice to see that take shape. I don’t remember if I’ve mentioned STEEL KNIGHTS here before, but my annoyance at being unable to watch the new Gawain and the Green Knight movie (starring Dev Patel) which I’ve been anticipating for well over a year spurred me into doing some work on my own Arthurian mash-up. The pitch is, very basically, A Knight’s Tale X Gundam – it’s a kind of manga story in which the Arthurian knights pilot huge suits of armour in battle, built around a tournament arc. I’ve been slotting in tons of Arthurian Easter eggs and there are giants, fae magic – it’s a lot of OTT fun, and it’ll be great to try and pull the pitch together for it!

The Tunes

This month’s playlist starts off a lot mellower before gradually building into the heavy stuff. Chvrches are consistently one of the best synthy pop bands out there, with a great ear for a catchy vocal hook, and this new track has me excited for their new album – I’ve booked tickets to see them for the first time in March next year, so that’ll be great. This month I discovered that Lola Kirke, the actress who played Hayley in the excellent show Mozart in the Jungle (and who I have a MASSIVE crush on) is also apparently a folk/pop singer, and has put out some very good stuff – here’s my favourite of her songs! My partner is our household’s huge Frank Turner fan – I’m less into him, but this track is undeniably excellent (and I appreciate his ideas on how his ashes should be scattered at the end!) Next up is Doris Wilson – those who’ve watched the wild/chaotic/polarising sketch show I Think You Should Leave will recognise it. It’s a very catchy tune that breaks up some of the funniest sketches I’ve ever seen – I’ve watched both seasons through about 4 times now, which is rare for me, and they keep getting funnier. Watch Coffin Flop! Metallica have been doing something pretty wild recently – they’ve recruited dozens of other bands/artists to do their own versions of songs from The Black Album across a variety of genres. A lot of them are… well, bad, but this Biffy Clyro cover is actually genuinely good to my ears. It’s still recognisably Holier than Thou, but different enough to make it stand out as their own. Here’s where we start to get into the heavier stuff with The Algorithm (chiptuney tech-death), Unter Massif (a sludgey, atmospherey, droney band I discovered this month) and The Odious (interesting prog metal, another Spotify discovery). Next up is one of my very favourite bands, Anaal Nathrakh, beloved for their ability to combine absolute hyperspeed blasting and aggression with huge, singable choruses and an overwhelming sense of armageddon. After that mushroom cloud has cleared, we finish things off with the haunting piano and vocals of Lingua Ignota, from her new album.

The Links

I greatly enjoyed this dive into the development of gunslinger Jonah Hex (one of my favourite characters, mostly because I feel like there’s a lot you could say/do with him) by Tom Shapira over at the Comics Journal: http://www.tcj.com/asshole-in-a-hat-the-early-days-of-jonah-hex/

That’s all for this month, I’ve waffled on a lot more than usual! Thanks for reading, and have a great August.

All the best,
Chris

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June 2021: Refresh, Refresh, Refresh

Howdy, folks!

Time has once again crept up on me, and I find myself writing this newsletter on the last day of the month. Still, there’s something to be said for spontaneity, right?

The Usual

It’s been a remarkably chilled month, even considering everything that’s been going on. I lost much of last week to some kind of horrible throat infection that completely halted my momentum, but I’m getting back on the horse now (and by “horse”, I mean various bits and pieces of home improvement and constantly refreshing the Kickstarter.)

Speaking of: https://www.kickstarter.com/projects/chrismole/brigantia-volume-1


We smashed the funding goal of £3k in around a week, which is wild, and now I can dabble my toes into the “possible stretch goal” waters. I’ve emailed the printer about one idea which might be feasible, so we’ll see – it’s a balancing act between producing something cool and losing a ton of money because you went too far with the stretch goals! I’m mostly extremely relieved that I can relax a bit and don’t have to spend every 10 minutes refreshing the Kickstarter dashboard worrying about whether we’ll reach the target…

The Record

*7 pages written for my Big Hype Vol. 2 story (with Rosie Packwood)

Not done a great deal of writing, since Kickstarter promo/illness/a constant, gnawing sense of anxiety and dread aren’t really conducive to productivity. That said, I’m slowly getting through the first draft of this Big Hype story and looking forward to the point that I can edit it into something that’s actually… y’know, good.

The Tunes

Real mixed bag this month of tunes, but nothing too surprising or left-field for me. We kick things off with Tortoise, a Spotify discovery that I enjoyed grooving along to one slow afternoon working from home; after that it’s into BIG ATMOSPHERE territory with Sojourner and Unreqvited, both favourites of mine. They both have big Summoning vibes, which is a good thing since there are a number of Summoning tracks that play on repeat in my head every time I’m out for a walk in the countryside! Noctule (a Skyrim-themed solo project by the vocalist of the incredible Svalbard) kick off a bit of a “heavy metal inspired by videogames” trilogy; they’re waving the black metal flag, followed by the more thrashy/glitchy sounds of Cara Neir and the bludgeoning Dark Souls-inspired death metal of Firelink. I’ve been on an Iron Maiden kick this month, and trying not think about Bruce Dickinson being an avowed Brexit supporter – he didn’t help by going on the news last week to complain about how Brexit has screwed up the creative industries (I’ll take “things that were obvious to everyone with a brain” for $800, Alex…) That said, Ghost of the Navigator still slaps. Botanist were part of my soundtrack for a very long drive down to see my parents/nephews which was very overdue, while this Leprous track was a pleasing Spotify discovery in the last couple of days. Lastly, how about a lovely jazz band rendition of one of the most relaxing videogame songs there is, Village of Dali from Final Fantasy IX? Sit back and let the sunshine vibes wash over you!

The Links

Look, we’re in the Kickstarter mines this month, okay? Don’t miss these comics Kickstarters, all run by wonderful people and all deserving of your support.
Sidequest #3: https://www.kickstarter.com/projects/sidequestcomic1/sidequest-3
Candles: https://www.kickstarter.com/projects/castironbooks/candles-book
Filth & Grammar by Shelly Bond: https://www.kickstarter.com/projects/sxbond/filth-and-grammar

And for something a little different, here’s the most recent instalment of a “good news” newsletter I’m subscribed to which always brightens my day. It’s full of stories that highlight wins in the fight against climate change, public health, and otherwise making the world a better and more equitable place – because it’s good to be reminded that a lot of people are fighting hard to improve life on this planet, and it’s not all bad news all the time. Can’t recommend subscribing to these guys enough: https://futurecrunch.com/good-news-18th-june-2021/

That’s all for now – have a great rest-of-week and weekend, check out the links and enjoy the tunes!

All the best,
Chris

Posted on

May 2021: Sun’s Out, Guns Out

Howdy, folks! It’s finally starting to feel like summer, and I have plenty of reasons for optimism so this month’s update will be a little chirpier than previous months…

The Usual

It’s amazing how much can change in the span of a few weeks. All the complicated legal/house stuff I was dealing with is now (as of last Friday), by and large, resolved – there’s still plenty of work that needs doing in the house but my partner and I will have full control of that by this time next week and can tackle it at our own pace. It’s no exaggeration to say that my mental health is vastly improving, and coinciding with some lockdown restrictions being eased over here in the UK means that brighter times appear to be ahead – even though I still intend to be cautious (no pub drinks for the time being!)

Work/comics-wise – I’m pushing the start date for the Brigantia Vol. 1 Kickstarter back a little bit because I want to be sure that we have all the art we need to run a really strong campaign. Harriet’s completed the preview pages, and I posted a snippet from those on Twitter not too long ago – she’s also working on the cover at the moment, and that’s a must-have (the only campaign I’ve ever run without having a finished cover failed, and I’m too superstitious to see that as anything other than a sign!)

Remember to sign up at the campaign pre-launch page so you get a notification from Kickstarter! I’ll be breaking my once-monthly rule to fire out an email blast when the launch date is locked in, and another when we actually go live – a strong start is going to be absolutely critical to our chances of success, given that the total for this campaign is a lot higher than the last issue: https://www.kickstarter.com/projects/chrismole/brigantia-volume-1

While I’m on the topic of Kickstarter comics, I also wanted to shout out one that will be launching soon (on June 3rd, to be precise) – Sagas of the Shield Maiden Book Two. The writer behind this project, Asa Wheatley, has pulled together a great collection of talented artists for more tales of his red-haired Viking Shield Maiden – I’m going to be backing this one as soon as it hits because it’s 100% my jam (and you’ll see exactly how much praise I have for it on the campaign page!)

One last note for this section, on a more downbeat topic – this month, Dave Evans (a.k.a Bolt-01) of Futurequake and Zarjaz fame, passed away suddenly and unexpectedly. I was more of a passing acquaintance of Dave’s – he lettered some of my very first forays into comics (in Owen Watts’ Psychedelic Journal anthologies), and also graciously gave me my first taste of published comics by running my story ‘Loan Sharks’ in an issue of Futurequake (with future artistic superstar Joe Palmer, who’s now being published by Image!), but I wouldn’t call myself one of his close and personal friends. However, I am very good friends with Owen, and seeing the impact that Dave’s death has had on Owen (as well as tons of other people in the UK comics scene) has really hammered home just how much of a beloved guy Dave was. His absence will be keenly felt for years to come. If you have the means and want to help his family give him a good send-off, there’s a JustGiving page here: https://www.justgiving.com/crowdfunding/rememberdave

The Record

*This month I have written precisely zero pages, and that’s okay!

Finding the headspace to concentrate on any projects has been extraordinarily difficult of late – I’m hoping that I’ll be able to start wrestling my way out of the creative doldrums now that I’ve cleared some of the life admin, but at the same time, I don’t want to overload myself. I already have the Brigantia Kickstarter launch coming up (which will consume me with stress for a full 30 days) and then the accompanying fulfilment of that campaign, plus some of my musical endeavours are starting to wind back up now that band practices have become a viable option again. I’m waiting to hear back about a couple of anthology pitches, and if those get accepted that’ll give me scripts to work on, but I need to be realistic about what I can actually afford to get made at this point in time.

The Tunes

As usual, it’s quite a mixed bag this month – I think there’s a good mix of new (to me) tracks and old favourites. Let’s dive in!

First up is probably the best song that Judas Priest have ever written (feel free to argue with me, but you’d best come armed!) If you don’t feel the urge to raise your claws to the sky and scream “HELLRIDER!!” along with the chorus then you might be dead… next up is Violet Cold, a predominantly black metal one-man project from Azerbaijan. This is from their new album, which was intentionally designed to piss off any fashy right-wing types who want to claim the band as their own – the cover art makes it very clear where the creator Emin Guliyev stands on issues of LGBT and human rights. After that we have another explicitly anti-fash BM band, Dawn Ray’d – their last album was a triumph and this new song is more of that good stuff! Heretical Sect were a Spotify discovery for me and a very good one – we’re going heavy on anti-fash/progressive/left wing BM this month, apparently. Lustmord w/ Karin Park is a collaboration I found out about via the Roadburn Redux festival – deep atmospheres with soaring, ethereal vocals, very useful for concentration. Next up, you might recognise this Washed Out track as the intro to the wonderful TV show Portlandia, but the full song is excellent in its own right. WagakkiBand are basically designed for me to like them – Japanese folk rock with traditional instruments and band photos like this? Love it. 3 have a very unhelpful name if you’re searching for them online, but this album is very well-crafted prog metal with soaring, pop music-esque vocals. I also remain convinced that this song’s concept is a nod to a series of fantasy books from my youth, the Death Gate saga (which featured a serpentine race of baddies that could shapeshift!) VOLA are a new discovery, and this is from their newest album which is extremely good – the lyric “I could leave this house, but I won’t” stuck with me this month for obvious reasons! And lastly, some classic Bob Dylan – I’m not a massive Dylan fan (never been able to get over a live recording of “Like A Rolling Stone” which highlighted his complete inability to sing) but this is a classic for a reason, and reflects my current mood.

The Links

Let’s start this section off with something that’s heavy, but must-read: a Vox feature on the Tulsa, Oklahoma Massacre https://www.vox.com/22456481/tulsa-race-massacre

I know I mentioned it above, but: don’t miss out on Sagas of the Shield Maiden Book Two: https://www.kickstarter.com/projects/asawheatley/sagas-of-the-shield-maiden-book-two

It’s an old article, but I can’t be the only person who saw this photo and went “Abin… Abin Sur??” https://www.wired.com/2017/01/bright-green-meteor-lights-mountains-india/

That’s all for this month – thanks for reading, hit the Brigantia Kickstarter link if you haven’t already and I hope you get to enjoy some good weather where you are!

All the best,

Chris

Posted on

April 2021: A Towering Pile

Howdy, folks!

The Usual

My pile of “life admin” feels like it’s reached an almost overwhelming level these past few weeks – I won’t bore you with the detail, but I’ve got far too many bits of paperwork to sign, far too many money things to juggle and far too much anxiety over it all. Just need to keep on chugging!

That aside, I also have a rather nice ANNOUNCEMENT to make:

Brigantia Vol. 1 is coming your way in June (exact date TBD!) Collecting issues #1, #2 and the new issue #3 as a chunky 128-page graphic novel stuffed with bonus content!

I’ve been pushing the boat out for this to try and make it into something special – here’s the murderer’s row of talent who’ll be getting involved:
Issue #3 art by Harriet Moulton and letters by Hassan Otsmane-Elhaou!
Pin-ups by Chris Wildgoose, Will Kirkby, Rosie Packwood & Elijah Johnson/JP Jordan!
An exclusive limited edition bookplate by co-creator Melissa Trender!
Foreword by Nimue Brown (Hopeless, Maine and tons of books on druidry/paganism)!

Those pin-ups will also be available as reward prints on the campaign, so you can pledge for as many as you like – it’s so exciting seeing other artists’ takes on Brigantia and the rest of the cast, and I’m thrilled to properly share them! We’ll be running some Early Bird tiers as well – ideally, I wanted the option to send you folks (and people who’ve previously bought copies of Brigantia #1 or #2) a discount code so you could get hold of the collected volume at a cheaper price, but Kickstarter doesn’t have that functionality and if I set up a specific tier for previous Brigantia backers I’d have no good way of stopping all and sundry from taking advantage of it.

The alternative, then, is that you’ll all find out exactly when the campaign launches well ahead of the wider world, and armed with that knowledge you’ll hopefully be able to snap up the Early Bird rewards for a discounted copy of the book. I’ve really been agonising about this – I know a lot of people are happy to buy single issues of an ongoing comic and then buy the trade as well, but I feel a bit bad trying to get people to buy the same issues again (in a different format!) The reason I’m jumping straight to a trade now is because it feels to me like there’s a diminishing market for indie single issues on Kickstarter (unless you’re a big moneybags publisher who can already afford to make the comic and just want to use KS for a soft launch, but I digress…), and there’s a solid midpoint in the story which feels like a great “end of volume 1” cliffhanger to me. Plus, purely for selfish reasons – I’d love to have a collected trade of one of my stories! If any of you have questions about the decision to go straight to a trade please do fire them my way, I’m happy to try and answer them.

Anyway, to break up all that text, here’s a very sneaky peek at one of Harriet’s costume designs for issue #3, fresh out of the oven:

The Record

*Pitches for two anthologies worked on – one submitted

Very little actual scripting this month, due to the aforementioned towering pile – it’s been a pitches month! I’ve put something together with Rosie Packwood for the second volume of the Big Hype Comics anthology which I’m excited about, and working on another one with Jamie Keys for a different anthology. I’d love to try and improve my “hit rate” for anthologies – I’ve been rejected for a lot of the ones I’ve gone for recently, and it always batters my self-confidence, so it’d be nice to get into either of these.

The other projects on my list are very much on hold until I can wrestle my way back on top of life! Watch this space, I guess?

The Tunes

My tracklisting this month was arranged purely for aesthetic reasons and I’m not sorry – short song titles at the start, long song titles in the middle and short at the end so it’s a nice sharp bell curve!

We start off with a new track by KAUAN, one of my best Spotify finds – gentle, icy and spacious. After that it’s the opener of my favourite band’s newest album – Triassic by The Ocean. They did a pre-recorded performance of this album at the Roadburn Redux festival earlier this month which was absolutely transcendent – I just can’t say enough good things about this band! Age of Aquarius by Villagers of Ioannina City (what a band name!) is another Spotify find – great proggy metal with some neat riffs. Alien Lip Reading by Hail Spirit Noir makes great use of what sounds like a theremin amongst the black metal shrieks. IOTUNN were recommended by a friend and I’m digging them – cosmic-sounding death metal, yes please. Godspeed! You Black Emperor are a band that I’ve never invested time in, despite knowing a lot of people who are into them – I enjoyed their newest album, so looking forward to diving into the rest of their discography. The Picturebooks did a collaboration with Neil Fallon of Clutch recently, which is how I found them – this is just good old-fashioned blues rock. Mindforce play no-frills thrash metal, and sometimes that’s just what the doctor ordered! Kvelertak are another band I’ve never really put time into, but this is fun – reminds me a little of Volbeat. And lastly, reversing the upbeat tone completely is Body Void – grimy, heavy doom metal which sounds like dying. Please enjoy 😎

The Links

New section this month – here are some Kickstarter campaigns you should check out and some articles I’ve enjoyed:
Alex Automatic Vol. 1: https://www.kickstarter.com/projects/frasercampbell/alex-automatic-volume-one-trade-paperback
Lad (Issue #3): https://www.kickstarter.com/projects/umar-ditta/lad-the-homecoming-issue-3
Ancient Egyptian discoveries: https://www.independent.co.uk/news/science/archaeology/archaeology-discovery-saqqara-ancient-egypt-b1835760.html?amp
Thoughts on comics criticism by Ritesh Babu: https://comfortfoodcomics.com/2021/04/08/the-trouble-with-easy-criticism-by-ritesh-babu/

That’s all for now – I’ll sign off before this gets any longer. Thanks for reading, and keep your eyes peeled for more on Brigantia Vol. 1!

All the best,

Chris