March 2021: One Year On

Feels like we’ve been here before, huh? Jokes aside, it might just be that we’ve started to get some actual sunshine over here on Hell Island but it’s starting to feel like things are changing for the better. My partner’s had a first dose of the vaccine (I’m still waiting for mine), people are starting to book gigs/cons/events for later in the year… I sincerely hope this isn’t the false ending you get in most JRPGS, where the heroes think they’ve saved the day and then it turns out there’s another evil villain (a COVID mutant strain, perhaps?) who’s been pulling the strings all along.

The Usual

Had a bit of a wobble this month – I spent several days bashing my head against an idea-wall trying to get some juice to leak out (in the form of pitch ideas for an anthology), and was convinced they were all terrible. Thankfully, I sent them to the artist and she loved the one at the top of my list, which went a long way towards quieting the little shit-goblin who sits in the back of my brain telling me I’ll never amount to anything..! It’s also helped reading through a detailed account of the development/filming/release of the Star Wars original trilogy (a.k.a three of my absolute favourite stories) in a book we picked up in a Taschen sale – so much changed between the script drafts and what we see on screen. The earlier drafts had some truly ropy/terrible parts, which I found heartening – even something as iconic and successful as Star Wars had to be wrestled into existence, and it’s not easy for anyone.

As a sign of the aforementioned hopeful return to normality, I’m very pleased to share that I’ll be exhibiting at Thought Bubble this November (assuming it goes ahead)!

I’ll be doing it under my own name (rather than as Prof Elemental Comics or as Brigantia) this time, which is a little nerve-wracking, but hey ho. New business cards/banner are probably a plan..!

The Record

• 22 pages redrafted for SPACE COWBOYS #3, following editorial feedback
• Outline/pitch written for an anthology submission
• 12 pages edited/redrafted for a horror short
• Lettering: 6 pages lettered, design work done for Prof Elemental’s NEMESIS

Not a lot of “new” pages written this month, but I’m feeling fairly good about the progress. With 3 issues out of 6 written, and a loose roadmap for where I want the rest of the story to go, it might be time to approach an artist for SPACE COWBOYS (currently mulling over an actual title – DIADEM is the current front-runner, even if it maintains my streak of one-word titles for things…) That’s a whole different kettle of fish, because finding the right collaborators for a story is so important – everyone brings their own visual sensibility and ideas to the project, and this one will require some fairly involved visuals and design work. Plus, contacting an artist and asking if they want to work with you is truly nerve-wracking (at least for me) – it’s like asking someone vastly cooler/prettier/smarter than you on a (potentially very long and involved) date 😬

The Tunes

Gradual progression from lighter sounds to heavier on this month’s playlist, because I like to lure people in with smooth synths before dropping the screechy vocals 😎 We kick things off with a lovely instrumental version of a track by KAUAN – the original from 2017 is a beautiful album and well worth checking out. Next up is Steve Aoki with a remix of “Making of Cyborg” from the original Ghost in the Shell – the recent live action movie had plenty of problems, but I still enjoyed it as a visual/aural feast. Daft Punk were (goddamnit) a hugely important band for me, since I loved their music even when I was in the grip of my “only heavy metal, 24/7” bullshit elitist phase. They were just that good! I got emotional watching their “breakup” video earlier in the month, and the ending of this track was an utterly transcendent, heartbreaking and beautiful soundtrack for it. Gunship are a band I somehow hadn’t heard before this month, despite my propensity for synthwave – plug me into the cybernet and let’s fuckin go!!

Next track is where things gradually start to get turnt, with Emma Ruth Rundle/Thou bringing some atmospheric heaviness before we plunge into a new piece from Genghis Tron (an excellent grindcore/glitchy electronica band who defy categorisation) – their last album Board Up the House was phenomenal, so I’m hyped to dig into the new release! Frozen Lakes on Mars is one of my favourite Ihsahn tracks and ties neatly into my writing mindset this month (specifically the Space Cowboys redrafts). Onmyo-za are a new discovery and I can’t believe I hadn’t heard them sooner. From Encyclopedia Metallum: “Onmyo-za’s image and concept are based on Japan’s Heian Period (aka Japan’s Renaissance) that dates back to the tenth century CE.” PUMP THIS JAPANESE HISTORY METAL INTO MY VEINS! Feral Light were a fortuitous Spotify discovery for some atmospheric BM, and we close off this month’s list with one metal icon (Chuck Schuldiner of Death) covering another (Rob Halford and Judas Priest). He is half man and half machine!

That’s all for this month – I hope we’re clawing our way to some semblance of normality, and that we can use the lessons of the last year to force our elected officials into truly changing society for the better. Fingers crossed, eh?

All the best,
Chris

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